Friday, September 17, 2010

We're up to 120!

Press Releases
New Century Bank, Phoenixville, Pennsylvania, Assumes All of the Deposits of ISN Bank, Cherry Hill, New Jersey

FOR IMMEDIATE RELEASE
September 17, 2010
Media Contact:
LaJuan Williams-Young
Office: (202) 898-3876
Email: Lwilliams-young@fdic.gov

ISN Bank, Cherry Hill, New Jersey, was closed today by the New Jersey Department of Banking and Insurance, which appointed the Federal Deposit Insurance Corporation (FDIC) as receiver. To protect the depositors, the FDIC entered into a purchase and assumption agreement with New Century Bank (doing business as Customers Bank), Phoenixville, Pennsylvania, to assume all of the deposits of ISN Bank.

The sole branch of ISN Bank will reopen on Monday as a branch of Customers Bank. Depositors of ISN Bank will automatically become depositors of Customers Bank. Deposits will continue to be insured by the FDIC, so there is no need for customers to change their banking relationship in order to retain their deposit insurance coverage. Customers of ISN Bank should continue to use their existing branch until they receive notice from New Century Bank that it has completed systems changes to allow other New Century Bank branches to process their accounts as well.

This evening and over the weekend, depositors of ISN Bank can access their money by writing checks or using ATM or debit cards. Checks drawn on the bank will continue to be processed. Loan customers should continue to make their payments as usual.

As of June 30, 2010, ISN Bank had approximately $81.6 million in total assets and $79.7 million in total deposits. New Century Bank did not pay the FDIC a premium to assume all of the deposits of ISN Bank. In addition to assuming all of the deposits of the failed bank, New Century Bank agreed to purchase essentially all of the failed bank's assets.

The FDIC and New Century Bank entered into a loss-share transaction on approximately $64.8 million of ISN Bank's assets. New Century Bank will share in the losses on the asset pools covered under the loss-share agreement. The loss-share transaction is projected to maximize returns on the assets covered by keeping them in the private sector. The transaction also is expected to minimize disruptions for loan customers. For more information on loss share, please visit: http://www.fdic.gov/bank/individual/failed/lossshare/index.html.

Customers who have questions about today's transaction can call the FDIC toll-free at 1-800-913-3067. The phone number will be operational this evening until 9:00 p.m., Eastern Daylight Time (EDT); on Saturday from 9:00 a.m. to 6:00 p.m., EDT; on Sunday from noon to 6:00 p.m., EDT; and thereafter from 8:00 a.m. to 8:00 p.m., EDT. Interested parties also can visit the FDIC's Web site at http://www.fdic.gov/bank/individual/failed/isnbank.html.

The FDIC estimates that the cost to the Deposit Insurance Fund (DIF) will be approximately $23.9 million. Compared to other alternatives, New Century Bank's acquisition was the least costly resolution for the FDIC's DIF. ISN Bank is the 120th FDIC-insured institution to fail in the nation this year, and the first in New Jersey. The last FDIC-insured institution closed in the state was First BankAmericano, Elizabeth, on July 31, 2009

Tuesday, September 14, 2010

MILES DAVIS & MILT JACKSON, Changes (Ray Bryant)

Fourth/ final track from "Miles Davis And Milt Jackson Quintet/ Sextet" album. Recorded at the Van Gelder Studio, Hackensack, New Jersey on August 5, 1955. Originally released on Prestige (7034). Miles Davis (trumpet); Milt Jackson (vibraphone); Jackie McLean (alto saxophone); Ray Bryant (piano); Percy Heath (bass); Art Taylor (drums).


Miles Davis Quintet 1956 - Oleo

Recorded: Rudy Van Gelder Studio, Hackensack, NJ, October 26, 1956

Personnel:
Miles Davis - Trumpet
John Coltrane - -Tenor Sax
Red Garland - Piano
Paul Chambers - Bass
Philly Joe Jones - Drums


Miles Davis - Flamenco Sketches

So What - John Coltrane and Miles Davis

DrThiMarques | May 09, 2008

"So What" is the first track on the 1959 Miles Davis and John Coltrane album Kind of Blue and is often credited as one of his best works.

It is one of the most well-known examples of modal jazz, set in the Dorian mode and consisting of 16 bars of D minor7, followed by eight bars of Eb minor7 and another eight of D minor7. This AABA structure puts it in the format of popular song structure.

The piano and bass introduction for the piece was written by Gil Evans for Bill Evans and Paul Chambers on Kind of Blue. An orchestrated version by Gil Evans of this introduction is later to be found on a television broadcast given by Miles' Quintet (minus Cannonball Adderley who was ill that day) and the Gil Evans Orchestra; the orchestra gave the introduction after which the quintet produced a rendition of the rest of "So What".

The distinctive voicing employed by Bill Evans for the chords that interject the head, from the bottom up three perfect fourths followed by a major third, has been given the name "So What chord" by such theorists as Mark Levine.

While the track is taken at a very moderate tempo on Kind Of Blue, it is played at an extremely fast tempo on later live recordings by the Quintet, such as Four and More.

The same chord structure was later used by John Coltrane for his standard "Impressions".


Monday, September 13, 2010

That’s a whole lot of culture war

This reposted from Pandagon.net -- a blog you MUST read on a daily basis. Please follow link to original -- bookmark the site -- then you will not have to listen to my preaching, or re-read stuff.

Monday, September 13, 2010
That’s a whole lot of culture war!
• History

Ann was gracious enough to quote me in her marvelous piece on why the culture war isn’t going away any time soon, so I’m kicking a link right back at her. Ann argues that the Obama backlash, in all its ugliness, is proof that the culture war was always about a lot more than gay rights or abortion, but was always fundamentally about who gets to lay claim to defining who “real Americans” are and what the larger values of the country are going to be. I don’t think that the recent conservative affectation for dressing up in colonial garb* has as much to do with taxes as they’re pretending. For one thing, the Boston Tea Partiers weren’t actually protesting high taxes, and even a quick glance over Wikipedia demonstrates this. Tea taxes were just a catalyst for a lot of other issues of much greater importance that fundamentally go back to the basic desire of Americans to cease being colonized by the British.

You might even say they were anti-colonialist.

Anyway, the revolutionary garb has a more profound significance to the teabaggers, which is that it a) makes them feel like they’re totally capable of violent revolt and b) it stands in for the kind of people they want to say are the only “real” Americans---white Christians, with Anglo-Saxons getting extra-special Real American status. When they bemoan the ways that America has changed that couldn’t have been foreseen by voting citizens back then, it’s easy enough to conjure up a list of things that really would have been beyond the imagination of even imaginative people like Thomas Jefferson. But “beyond their imagination” says more about the limits of the human imagination than it does the value of these changes.

The main thing I want to say on this is that every time anyone ever predicted that the end of the culture war was just around the corner, I rolled my eyes. I get that people are sick and tired of it, and that’s why they invest in ideas like, “Electing Barack Obama will bring an end to the culture wars”, which is what Ann quotes Andrew Sullivan basically saying. But too bad. Politics isn’t your entertainment. The culture wars aren’t some movie that you’ve seen so many times that it’s lost its entertainment value, and so you can just change the channel. The culture wars are going to drag out for a long ass time for a number of reasons. One is that the social changes that we’re going through are too profound to be absorbed so rapidly. Tracy Clark-Flory was mourning over this pronouncement by Gloria Steinem that women aren’t going to be seeing full equality for another century and a half, but I thought Gloria may be a tad optimistic. We’re overthrowing literally thousands of years of a patriarchy. It’s not going to happen very fast. Even in the time that the Tea Crackers have so much nostalgia for, there were feminists making arguments that would still be considered radical by many today. And that’s just when it comes to feminism! What’s particularly ironic about the Tea Crackers hearkening back to the revolutionary era is that the wheels were already turning towards the changes they don’t like so much. Conservatives benefit tremendously from the myth that the culture wars are relatively new. Then they can pretend that there’s something fundamentally different about the various progressive struggles of the past and the struggles of today. But in reality, it’s one long, ongoing struggle. And we’re just going to have accept that, and accept that it’s unlikely that we’ll see the conclusion of this in our lifetimes, or that we’re even close to a day when people can say, “Well, hundreds of years of struggle for justice is finally complete, and there it is, real justice.”

*Here’s what I don’t get: If teabaggers are, as they claim, simply referencing the Boston Tea Party, then why do you never, ever see a single one wearing a costume referencing the Mohawk tribe of Native Americans? After all, that’s exactly what the actual raiding members of the Boston Tea Party actually did. I don’t imagine that it’s solely because teabaggers are aware of the unpleasant racial implications of doing such a thing, because teabaggers aren’t a group really known for their racial sensitivities. I think it’s because they don’t care about the actual Boston Tea Party. It’s just a convenient cover for nostalgia for a time when only white male landowners had the vote and slavery was legal.

The Great Education Myth & the Neoliberal Bait-and-Switch

This from "Open Left" -- please follow link to original


The Great Education Myth & the Neoliberal Bait-and-Switch
by: David Sirota
Mon Sep 13, 2010 at 12:00
In simplistic, Lexus-and-Olive-Tree terms, the neoliberal* economic argument goes like this: Tariff-free trade policies are great because they increase commerce, and we can mitigate those policies' negative effects on the blue-collar job market by upgrading our education system to cultivate more science, technology, engineering and math (STEM) specialists for the white-collar sector.

Known as the bipartisan Washington Consensus, this deceptive theory projects the illusion of logic. After all, if the domestic economy's future is in STEM-driven innovation, then it stands to reason that trade policies shedding "low-tech" work and education policies promoting high-tech skills could guarantee success.

Of course, 30 years into the neoliberal experiment, the Great Recession is exposing the flaws of the Washington Consensus. But rather than admit any mistakes, neoliberals now defend themselves with yet more bait-and-switch sophistry - this time in the form of what in my newest newspaper column I call the Great Education Myth. You can read the full column here.

No doubt, you've heard this fairy tale from prominent politicians and business leaders who incessantly insist that our economic troubles do not emanate from neoliberals' corporate-coddling trade, tax and deregulatory policies, but instead from an education system that is supposedly no longer graduating enough STEM experts. Indeed, this was the message of this week's New York Times story about corporate leaders saying America isn't producing "enough workers with the cutting-edge skills coveted by tech firms."

As usual, it sounds vaguely logical. Except, the lore relies on the assumptions that 1) American schools aren't generating enough STEM supply to meet employer demand, 2) the education system - not neoliberalism - is driving this alleged STEM drought and 3) if America came up with more of such specialists, they would find jobs.

To know these suppositions are preposterous is to consider a recent study by Rutgers and Georgetown University - a study I break down in my column. Read it here.

* Note: "Neoliberal" is very different from "liberal." The former, a term of economic characterization, refers to what we might more colloquially call "corporatists" or "corporate conservatives." As the article states, neoliberals dominate both parties, but they are very different from genuine liberals. Indeed, genuine liberals are among the most vocal critics of neoliberalism.

U.S. hard-pressed to stem domestic R&D losses

I love it! Our "masters of the universe", the very ones that seem to actually run our government have shown, once again, that they are shortsighted, idiots. Destroying the USA for (very) short term profits. It seems many of these "financial whizzes" have no clue what it takes to run a business over more than a year or two.

In addition to being DUMB, they are dangerous because WE allowed them to amass huge piles of money, thus furthering the idea these under educated business school grads (remember when we made fun of uneducated business school students) to think they were smart.

This from the L.A.Times - please follow link to original



U.S. hard-pressed to stem domestic R&D losses
The nation's ability to turn ideas into products and profits at home has been eroded by deep manufacturing cuts and policies that result in others reaping the benefits.
Jobs going overseas

By Don Lee, Los Angeles Times

September 13, 2010

Reporting from Washington —
President Obama's proposal to boost the research tax credit for businesses is widely seen as necessary to bolster American competitiveness in the global economy.

But even if the $100-billion plan is approved, it won't begin to address the fundamental question of how to turn that research and new technology into jobs and renewed prosperity for Americans.

Over the last two decades, U.S. scientists and engineers have discovered or pioneered the science behind one blockbuster product after another — from flat-panel screens and robotics to the lithium batteries that run next-generation power tools and electric cars.

Yet in almost every case, production, jobs and most of the economic benefits that sprang from those breakthroughs have ended up overseas.

America's innovative spirit may still be the envy of the world — major steps forward in nanotechnology and biomedical fields, among others, continue to be made in U.S. labs. But without more effective policies to translate those achievements into gains at home, the fruits of America's creative genius will probably continue to be reaped by others.

And new reports show that during the recession American companies ramped up investment overseas for plants and new hires, as well as research and development — even as they cut back domestically.

Foreign subsidiaries of U.S. corporations increased their spending on research and development by more than 7% in 2008 from the previous year, pushing the total to nearly $37 billion. But these same multinational companies sliced R&D expenditures in the U.S. that year 2.2% to $199 billion, Commerce Department data showed.

A similar but less dramatic difference was evident in hiring: Employment at these overseas units rose 1% in 2008 — and a stunning 15% in China — but was down 2% for the U.S. elements of the 2,200 multinational firms the Commerce Department studied.

Some of these jobs were lost to automation, but Obama and many independent economists said a big factor was the sharply different policy approaches of U.S. and foreign governments.

For decades, Washington has taken a largely hands-off, or laissez faire, approach, sometimes even adopting tax and other policies that critics said actively encourage the movement of manufacturing and other business activity overseas.

By contrast, export giants such as Germany, Japan and South Korea have embraced government policies — and even pressure tactics — that push businesses to maintain operations at home.

"Other countries do a much better job," said Robert Atkinson, president of the Information Technology and Innovation Foundation, a nonpartisan Washington think tank. "We're pretty much the only country with the illusion that we're not in competition with the rest of the world."

Obama, as he announced a package of stimulus measures last week in a Cleveland suburb, sought to sound a populist, even nationalistic note:

"Instead of tax loopholes that incentivize investment in overseas jobs," he said, "I'm proposing a more generous, permanent extension of the tax credit that goes to companies for all the research and innovation they do right here in Ohio, right here in the United States of America."

Some corporate chiefs bristle at the notion that they are exploiting loopholes. Rather, they said, they are sending work overseas because it's efficient and because otherwise they wouldn't be able to compete. And many would argue that American innovation and entrepreneurism remain the envy of world.

But there's little doubt that U.S. research investment has slipped from its once-preeminent position. By one common measure, private R&D spending as a share of economic output, the United States was No. 8 among developed countries in the latest tally by the Organization for Economic Cooperation and Development.

Washington's funding for basic research, meanwhile, has been essentially flat since 2003, on an inflation-adjusted basis. The federal R&D budget for 2011 shows a decline, according to the National Science Foundation.

"This is the last trend one wants to see with global R&D spending continuing to grow rapidly," said Gregory Tassey, senior economist at the National Institute of Standards and Technology, a federal agency promoting technology and industry.

Yet economists and business leaders worry that increasing support for U.S. laboratories and technology centers will not necessarily strengthen the economy.

The nation's ability to turn ideas into products and profits at home has been eroded by manufacturing cuts so deep that entire supply chains have vanished, and with them skilled labor, component makers and specialized companies needed to bring scientific discoveries to market.

Examples include A123 Systems Inc. in Massachusetts. With government support, the company is building plants in Michigan to produce its breakthrough lithium-ion batteries for electric cars, but as a start-up it had little choice but to rely on the technical and manufacturing capabilities of China to crank out products quickly to show potential customers.

Even then, despite its MIT-born technology, A123 lost out to a South Korean company to supply batteries for General Motors Co.'s Chevy Volt.

Similarly, the technology behind silicon-based solar panels was originally developed in America. But even as the solar panel industry took off in countries such as Germany, where it was backed by strong government policies, the industry in the U.S. declined, partly because electronics manufacturing and other production capabilities had dried up years earlier.

"If you just do breakthrough R&D and in the end don't make the stuff, that's a losing argument," said Ralph Gomory, a research professor at New York University and former head of research at IBM. He called it "the innovation delusion: We can design things; others will build them."

Apple Inc. has perfected the trend, making a fortune selling snazzy products that are designed by legions of creative people in the U.S. but manufactured almost entirely in China. Analysts note that Apple captures the bulk of the profit while the U.S. economy loses little in giving up low value-added assembly operations to the Chinese.

But Apple's case is rare. A lot of companies design things and try to hold on to the technology but eventually lose control over it in the process of using overseas manufacturers — or are beaten out by rivals who produce similar goods at cheaper prices.

So the decline of U.S. manufacturing has increasingly become an economic Achilles' heel.

"When products are designed and manufactured side by side in America, businesses can discover new efficiencies and develop second-, third- and fourth-generation upgrades that simply would never occur in a cloistered research lab," U.S. Commerce Secretary Gary Locke said in a speech early this year.

"When they are not, we allow other countries to develop new businesses and new jobs," he added.

At least a handful of efforts are underway to create such self-reinforcing systems in the U.S., including tech areas in New York's Hudson River Valley and in San Diego.

Forming similar clusters may be one way to compete against manufacturing powerhouses such as Germany and Japan, where government plays a much stronger role in driving research and pressing business leaders to focus on making and selling goods at home.

The question is whether these or other possible answers to the problem can be developed in the United States within the present ideological and policy framework, or whether more fundamental change would be required.

don.lee@latimes.com

Rock Me Baby-BB KIng/Eric Clapton/Buddy Guy/Jim Vaughn

Sunday, September 12, 2010

Eric Clapton/JJ Cale-After Midnight

This Week In Holy Crimes

From Joe.My.God. -- please follow link to original

This Week In Holy Crimes

Over the last seven days...

California: Pastor Leonel Pelayo charged with sexual assault of a 14 year-old girl.
Ottawa: Father Robin Barrett convicted of possessing tens of thousands of child porn videos and images.
Florida: Pastor Steven Rowe charged with molesting four students at the Christian middle school where he is headmaster.
Texas: Father Chester W. King arrested for lewd behavior in a public park.
California: Pastor Carlton F. Hammonds on trial for sexual assault of two teenagers.
Florida: Pastor Gregory Sims pleads guilty to embezzling $800K from the union benefit fund he managed and funneling the loot to his church.
Britain: Reverend Alex Brown sentenced to four years in prison for conducting 360 sham marriages between EU citizens and undocumented immigrants. Each couple paid up to £15,000 for Brown to marry them.
Louisiana: Father Alejandro Flores convicted of child molestation.
Connecticut: Father Martin Federici sued by convicted rapist who claims his molestation at Federici's hands turned him into a sexual predator.
Massachusetts: Father Thomas M. Curran once again accused of child molestation after being cleared by his Archdiocese in 2007.

This Week's Winner
Belgium: An independent commission has released a report documenting the cases of over 500 victims of sexual abuse at the hands of priests and officials of the Belgian Catholic Church. Two-thirds of the victims are male and 13 suicides are linked to the assaults. Cardinal Godfried Danneels this week admitted wrongdoings and apologized for the cover-up. Belgium has no law requiring church officials to report sexual crimes to the police.

Barbra Streisand "Lazy Afternoon"

Kaye Ballard -- Lazy Afternoon (Golden Apple Original-Cast) 1954

An excerpt from the original-cast album of 'The Golden Apple', issued in 1954 on an RCA-Victor long-play disc, number LOC1014-- Kaye Ballard singing 'Lazy Afternoon'.
'Lazy Afternoon' has been recorded by, among others, in alphabetical order, vocalists Patti Austin, Ann Hampton Callaway, Eartha Kitt, Barbra Streisand, Sarah Vaughan, Vanessa Williams, Monica Worth. And that does not include the instrumental or jazz versions (eg, Wynton Marsalis).
But the song was part of 'The Golden Apple', the creation of John Latouche and Jerome Moross during the 1953-54 season. This off-Broadway musical show became historically important not merely for its merit, but also because it was probably the first show that traveled from off- to on-Broadway. And Kaye Ballard was part of 'The Golden Apple' cast, earning a cover story from Life magazine (see photo).
However many versions there have been or will be, Kaye Ballard's performance of 'Lazy Afternoon'-- simple, seductive, beautifully sung-- is the golden standard.

Grant Green - Lazy Afternoon

Album: Grant Green - Street Of Dreams

1 I Wish You Love (8:43)
2 Lazy Afternoon (7:42)
3 Street Of Dreams (9:00)
4 Somewhere In The Night (8:00)

Label: Blue Note

Released: 1998


Grant Green - Ain't It Funky Now

Wynton Kelly - Softly, As In A Mornings Sunrise

Wynton Kelly Trio - Softly, As In A Mornings Sunrise from Kelly Blue (1959).

Wynton Kelly - Piano
Paul Chambers (of course) - Double Bass
Jimmy Cobb - Drums


Bud Powell: Some Soul (Bud Powell)

Bud Powell: Some Soul (Bud Powell)

Piano: Bud Powell
Bass: Paul Chambers:
Drums: Art Taylor


Saturday, September 11, 2010

West Coast Invasion

A true west coast invasion --- not illegals, not masked bandits, not serial beheaders -- nope, it's GIANT SQUID!!!!

This from the AP -- a few days late, ut, news nonetheless.

By THE ASSOCIATED PRESS
Published: July 16, 2009

Thousands of jumbo flying squid, aggressive 5-foot-long sea monsters with razor-sharp beaks and toothy tentacles, have invaded the shallow waters off San Diego, spooking scuba divers and washing up dead on beaches. The so-called Humboldt squid, which can grow up to 100 pounds, are native to the deep waters off Mexico, where they have been known to attack humans. Scientists are not sure why the squid are swarming off the Southern California coast, but they are concerned. In recent years, small numbers have been spotted from California to Sitka, Alaska, an alarming trend, scientists say. In 2005, a similar invasion off San Diego delighted fishermen and, in 2002, thousands of squid washed up on the beaches. This summer, the wayward squid have also been hauled up by fishermen in waters off Orange County, just north of San Diego. Research suggests the squid may have established a year-round population off California at depths of 300 to 650 feet, said Nigella Hillgarth, executive director of the Birch Aquarium at Scripps Institution of Oceanography. The swarms may occur when their prey moves to shallow waters and the squid follow, Ms. Hillgarth said."

next: "Invasion Of Squid Along The California Coast
MONTEREY (CBS News) ―

* Predator Jumbo Squid Feasting On NorCal Fish
(1/29/2009)

It may seem like something out of a horror movie, but giant squid have invaded key fishing areas in the Pacific, gobbling up everything they can find.

Off the California coast, its been getting harder to catch big fish like
salmon — but a whole lot easier to hook a deep sea monster, the Humboldt
Squid.

The population of the Humboldt Squid, which has huge 6-feet-long tentacles and weighs up to 100 pounds, has soared along the California coast line.

The giant Squid's usual territory from Chile to Mexico has expanded dramatically over the last seven years. Once rarely seen off California, they are now strong arming their way toward dominance.

William Gilly of Stanford University said one thing is for sure, the squid are not picky eaters and right now millions of them are consuming whatever they can find off the California coast.

For fisherman, that means the tug on the end of the line may have tentacles
instead of fins.

Some marine experts said the one defense against this giant squid invasion may be to eat them as quickly as they are eating everything else."

"now strong arming their way toward dominance"

I was unaware of this stuff until I got this months "Bassmaster Magazine" -- included was a issue of the quarterly "ESPN Outdoors Saltwater"

Not the equal of "Saltwater Sportsman", but somewhat useful.

In it was a almost 50's style article about "monster squid fishing -- if you dare, etc., etc., etc."

It seems they have greatly expanded their range in the last few years (global warming anyone?), and open, and charter boats seem to have "established a fishery".

Dosen't that tell you something about the state of our oceans? Doesn't it mean anything when native species are so scarce, gone, or no longer native?

Does anyone want to eat nothing bur Calamari and various Jellyfish in the future?

It seems finfish are on their way out, and way too many freshwater fish are way too loaded with "stuff", like Mercury, Hormones (from stuff flushed away), and other chemical crap. This doesn't even take into account some of the farmed fish that seem to eat nothing but shit (literally).

"How would you like your Calamari? Stewed, Fried, Poached, Raw, or lightly seared? We do have a special smoked squid today that resembles Michelen 235 x 55 tires -- it's delectable."

late post - one bank kaput today - 119

Press Releases
Bank of the Ozarks, Little Rock, Arkansas, Assumes All of the Deposits of Horizon Bank, Bradenton, Florida

FOR IMMEDIATE RELEASE
September 10, 2010
Media Contact:
David Barr
Office Phone: (202) 898-6992
Cell Phone: (703) 622-4790
Email: dbarr@fdic.gov

Horizon Bank, Bradenton, Florida, was closed today by the Florida Office of Financial Regulation, which appointed the Federal Deposit Insurance Corporation (FDIC) as receiver. To protect the depositors, the FDIC entered into a purchase and assumption agreement with Bank of the Ozarks, Little Rock, Arkansas, to assume all of the deposits of Horizon Bank.

The four branches of Horizon Bank will reopen on Monday as branches of Bank of the Ozarks. Depositors of Horizon Bank will automatically become depositors of Bank of the Ozarks. Deposits will continue to be insured by the FDIC, so there is no need for customers to change their banking relationship in order to retain their deposit insurance coverage. Customers of Horizon Bank should continue to use their existing branch until they receive notice from Bank of the Ozarks that it has completed systems changes to allow other Bank of the Ozarks branches to process their accounts as well.

This evening and over the weekend, depositors of Horizon Bank can access their money by writing checks or using ATM or debit cards. Checks drawn on the bank will continue to be processed. Loan customers should continue to make their payments as usual.

As of June 30, 2010, Horizon Bank had approximately $187.8 million in total assets and $164.6 million in total deposits. Bank of the Ozarks did not pay the FDIC a premium for the deposits of Horizon Bank. In addition to assuming all of the deposits of the failed bank, Bank of the Ozarks agreed to purchase essentially all of the assets.

The FDIC and Bank of the Ozarks entered into a loss-share transaction on $150.4 million of Horizon Bank's assets. Bank of the Ozarks will share in the losses on the asset pools covered under the loss-share agreement. The loss-share transaction is projected to maximize returns on the assets covered by keeping them in the private sector. The transaction also is expected to minimize disruptions for loan customers. For more information on loss share, please visit: http://www.fdic.gov/bank/individual/failed/lossshare/index.html.

Customers who have questions about today's transaction can call the FDIC toll-free at 1-800-405-1439. The phone number will be operational this evening until 9:00 p.m., Eastern Daylight Time (EDT); on Saturday from 9:00 a.m. to 6:00 p.m., EDT; on Sunday from noon to 6:00 p.m., EDT; and thereafter from 8:00 a.m. to 8:00 p.m., EDT. Interested parties also can visit the FDIC's Web site at http://www.fdic.gov/bank/individual/failed/horizonfl.html.

The FDIC estimates that the cost to the Deposit Insurance Fund (DIF) will be $58.9 million. Compared to other alternatives, Bank of the Ozarks' acquisition was the least costly resolution for the FDIC's DIF. Horizon Bank is the 119th FDIC-insured institution to fail in the nation this year, and the twenty-third in Florida. The last FDIC-insured institution closed in the state was Community National Bank at Bartow, Bartow, on August 20, 2010.

Friday, September 10, 2010

Wynton Marsalis- Buddy Bolden's Blues

Please listen to this

Wynton Marsalis @ the Harriet Tubman Charter School, with his rendition of "Buddy Bolden's Blues."

West End Blues - Louis Armstrong

Here's Louis playing West End Blues -- the opening when heard the very first time by an audience is electrifying.

(Wikipedia) "By far the best known recording of "West End Blues" is the 3-minute-plus, 78 RPM record recording made by Louis Armstrong and his Hot Five in 1928, considered one of the masterpieces of early jazz.

Louis Armstrong plays trumpet (and does some relaxed scat singing) backed by a band that included the pianist Earl Hines. In an eight-bar trumpet solo near the end of the record, Armstrong played a solo considered among the finest recordings in jazz history.

Other portions of this record also in high regard include the trumpet introduction by Armstrong that begins the song - this cadenza incorporates an almost syncopated opening, the wordless 'scat' singing chorus by Armstrong where he accompanies and varies a melody played by the clarinetist, and a piano solo by Hines. The number is closed by a deft metallic click by drummer Zutty Singleton.

The record was actually recorded multiple times in this one session however mistakes were made so none of the recordings were kept. One of these mistakes referred to by Armstrong many times[citation needed] is where Zutty Singleton drops a cymbal.

This recording by Louis Armstrong was inducted in the Grammy Hall of Fame in 1974. The version in the list is Louis Armstrong's version.

"West End Blues" has been recorded many times since, usually owing much to the Armstrong version. Jazz writer and historian William Russell has commented that other jazz trumpeters would be better off avoiding the too frequent imitations of Armstrong's introduction on the number; while the most virtuosic may have the technical ability to duplicate Armstrong's notes, they still suffer in comparison to Armstrong's feeling and originality"

This version was done in 1955 in Milan Italy.

December 19, 1955, Milan, Italy
Trumpet: Louis Armstrong
Trombone: Trummy Young
Piano: Billy Kyle
Drums: Barrett Deems

West End Blues (go look up the original -- it's available on YouTube)


A Famous Solo by Paul Gonsalves

I saw this video posted on "ECHIDNE OF THE SNAKES" and just had to put it up. I remember vividly reading about this performance in Downbeat. At first listening I understood the power, the enthusiasm, the drive , of the band, and the audience. Hearing this never fails to bring a smile -- and understanding of the power of music (not just Jazz).


This video features one of the most famous solos in the history of jazz, performed by Paul Gonsalves with the Duke Ellington Orchestra at the 1956 Newport Jazz Festival. A text is included that gives some background and explains the importance of this solo for Ellington's career


Thursday, September 9, 2010

Music

The following posts are a mix of Jazz -- with a little blues.

Some MJQ, Sonny Stitt, Dizzy, etc., etc.

Also Archie Shepp, Jackie McLean, Lennie Tristano, and more etc.

If you have the time listen -- then go search youtube -- it's just amazing all the stuff there.

If you want to learn more about Charlie (Bird) Parker -- Phil Shapp is an amazing resource.

Please listen, learn -- Jazz is true American music.

Lennie Tristano Sextet 1949

1) Wow (Lennie Tristano)
2) Marionette (Billy Bauer)

Personnel: Lee Konitz (alto sax), Warne Marsh (tenor sax), Lennie Tristano (piano), Billy Bauer (guitar), Arnold Fishkin (bass), Harold Granowsky (drums; only 1), Denzil Best (drums; only 2)


Subconscious - lee - Lee Konitz- Warne Marsh 1954.mov

Subconscious Lee Konitz Lee-Warne Marsh 1954
Lee Konitz and Warne Marsh in 1954
The tune you're watching is an improvisation on the chord pattern of What is this thing called love.
In this session we see and hear Lee Konitz (as), Warne Marsch (ts), but in this clip is pianist Billy Taylor. Mundell Lowe on guitar and Ed Thigpen on drums.
The Tristano School of Bebop was one of the three mainstreams of the Cool Jazz movement in the late forties and early fifties. (The other ones were West Coast Jazz and the group around Miles Davis and Gil Evans including other former bop musicians like the MJQ.) The "Tristano School"was a group of musicians led by pianist Lennie Tristano and including Lee Konitz (as), Warne Marsh (ts), Billy Bauer (g), Sal Mosca (p) and Arnold Fishkin (b). This group existed from 1946, when Tristano moved to New York.



Bill Evans - Waltz For Debby

"Confirmation" Chet Baker - Archie Shepp Parts one and two

Two large and distinct personalities of jazz, united in the same sense. Chet Baker - Archie Shepp Quintet. Horace Parlan (piano), Herman Wright (bass), Clifford Jarvis (drums).





Appointment In Ghana - Jackie McLean

with Woody Shaw,McCoy Tyner,Cecil McBee,Jack Dejohnette